A little bit of TLC

I delivered a firings worth of wood down to the Wysing Arts Centre anagama kiln last year in preparation for a firing. However, while there, noticed a brick  had fallen out of the arch above and just to the left of the firebox. On Tuesday Mr Parry and I finally got time to carry out the repair. It's been over a year since we fired this kiln this time, although we've been firing it fairly regularly for the last 18 years! This realisation came as a bit of a shock as we chatted, wandering through the beautiful wooded grounds of the arts centre having completed the repairs; a conversation along the lines of "these were just saplings when we first fired the kiln", followed by expletive exclamations!

                                 Above: the tree keep, deep in the woods

Above: The walnut tree that was about a foot high in 1997

As a result of the brick dropping out, the arch bricks around it had sagged slightly, so, the first job was to brace these and push the arch back up, Old school with a stiff sheet of ply and wooden supports, gently tapping the supports tight to lift the bricks above, slowly we managed to raise the hot face arch back up so that it matched the secondary arch above it.

Above is the  hole in the hot face arch from the inside. The protruding strip of brick is a patch job which we did in the same area about 5 years ago.

Once the hot face arch was braced we removed some of the loosened brick around the hole and relayed them, hard packing any gaps with refractory castable so the arch was once again put under the right sort of tension.

The finished repair, not particularly pretty, but should keep the kiln stable for a few more firings.

We are aiming to fire Late August followed by a second firing of the New Loughborough kiln a few weeks later, it's shaping up to be a busy Autumn :-)

First firing of the 28 degree anagama .....done

It's been a while since I updated this blog, but in my defense it's been quite a busy time :-). I finally finished building the kiln mid April, which left three weeks for the insulation layer to dry before my proposed first firing date. Luckily the weather played the game and it was warm and dry, which allowed the kiln to dry out thoroughly. Below is a continuation of building images from my last post. I had a little more mechanisation to help me with this kiln in the form of a brick saw and a small cement mixer. much easier to cut precise bricks with a saw rather than hammer and bolster and even with a cement mixer it took several days to reconstitute, remix and lay the insulation from the old kiln.

One of my main considerations when knocking down the old kiln and building this new one was to build a kiln which could be packed in a day rather than three and fired in three days rather than four. It is also designed to be an extreme kiln with lots of contact between the wood and the clay with the steep stepping (28 degrees from firebox floor to base of the chimney), generating turbulence to promote ash build up on the work and a strong flow through the chamber. Below is short film (just under 5 mins), which documents the packing and the firing of this kiln.

I'm really pleased with the results of this firing and excited about making new work for the next firing at the end of the summer; hopefully ready to exhibit at the Autumn shows. A huge thanks to  Steve Parry for once again working alongside me to the bitter end, also many thanks to Carl Gray for taking on the first night shift, also to Jo Keogh and Ed Penn for stoking the first day.

It's now getting towards the time to start preparing for the summer shows. This year so far I'll be showing at:

 Earth and Fire  Rufford Abbey north Nottinghamshire 26th - 28th June. Demostrating 1pm Friday 26th

Warwickshire open studios with Claire Brierley 27th June - 12th July (demonstrating Sunday 12th July).

Innovations in Ceramic Art Cambridge guild hall 10th -11th October (I'll be giving a presentation).

Oxford Ceramics Fair St. Edwards School, Oxford 24th-25th October.

New kiln, new pots and spring almost here

The buds are starting to swell outside the studio with the odd touch of green from the bravest shoots taking their chances against late frost. Work on the new kiln has been going well assisted by a couple of days help from Steve Parry to really get the arch moving. Here are a few images of the progress so far.

There is still a little more packing to do on the second arch but I should have the former out this week which is always an exciting moment. The collection box at the bottom of the chimney, the active damper and the remainder of the chimney should hopefully progress quite swiftly now with  only the insulation layer left to apply. New work for the firing is coming along, with most of the larger pieces now complete.

Over the next couple of weeks I'll be making up the clay for mugs to take to this years shows, I completely sold out last year so need to get cracking. Last week, I took some work down to The Open Door gallery in Market Harborough, a lovely space run by Janet Pelling. Although the Earth and Fire show at Rufford seems a long way off at the end of June, I know it will come around fast and need to have some good work to take. I'm also very pleased to say I'll be showing again at Warwickshire open studio's with my sister in law Claire Brierley  in July. I'll hopefully update in a few weeks when the kiln has progressed more.

Frosty kiln building and other things

A short blog update, dismantling and building have been progressing steadily and finally the new kiln is starting to take shape. Having taken a bit longer than hoped to take down the old kiln and organise all the materials, at times it has seeming like an exercise in moving tons of materials 3 feet to the left just to put them back again, however, with the new floor laid and the arch former nearly complete, a feeling of excited anticipation is beginning to grow with the longer days.

A few images of the dismantling and a few images of the build so far. Hopefully nest week I'll complete the former and start to brick the arch.

I'm aiming to be in a position to have the first firing in the new kiln towards the end of March now, which hopefully will be better weather wise than February.  The making is coming along well, I'm still making my new work and enjoying a freedom that the forms, slip and surface treatments are embracing. Over the next week I'll be making the clay for mugs, shot cups and beakers which I sold out of last year these are usually the last items that I make before a firing. As I will pack them around the larger pieces.

 One of the large vessels

A close up of one of the large platters.

The plan is also to have a firing in the Wysing anagama kiln around May/early June. Hopefully by my next post the arch will be in place.

Merry Christmas, happy holidays and have a great new year

Well, the festive period is here again. Dismantling work on the kiln has stopped for a while, I'm a little behind on where I would have liked to have been, but will hit the ground running in 2015 :-)

I'm working on some new pieces for the first firing next year, and will be showing them at Earth and fire.

Wishing everyone a merry Christmas, happy holidays and see you in the new year :-)

November kiln and shows

Well that's the CPA Oxford show done. It was excellent as usually and great to catch up with folk. It's been pretty, no, very busy recently at work with lots of inductions into ceramics going on, throwing and glazing workshops with a bit of Raku firing thrown in for good measure. I'm just starting to get a bit of time to really push on with the kiln dismantling in preparation for the new build. It's starting to feel as though I'm making progress. I'm hoping to have the floor and arch former in place before Christmas, anything further than that will be a bonus :-)

I've started making work for the next firing, having postponed the Wysing firing due to a bit of repair work which needs doing. A couple of bricks have fallen out of the arch just in from the firebox so we need to come in from the outside of the kiln arch and replace them. I was down there a week ago with Steve (Parry)and Ed. Penn one of our students, dropping off hard wood for the firing and cutting and stacking some of the pine in preparation. We didn't have time to fix it then, so will head back down in due course, carry out the repairs and do one or two other jobs around the kiln ready to fire in the spring. We've been firing the kiln for almost 20 years and like the pair of us, it feels its age occasionally. :-)

While down at Wysing I picked up work which had been in the "Influence of furniture in love" exhibition. I think it was well received. Here is a link to the exhibition page at Wysing arts centre.

         
                                           Photo credit Paul Allitt

Last weekend I dropped off work at "The ceramic studio" at Ettington Park in Warwickshire, run by Bruno and Leyla Dauvin, for their Christmas exhibition. It looks to be a great exhibition and opens next weekend 29th and 30th November and runs until January. If you're around the area why not pop in, they will make you very welcome.

And that's about it for now. I'll keep posting updates on the kiln building over the coming weeks. Time for tea :-)

Into the Autumn

The leaves have definitely changed now, with a great display of Reds, golds and yellows, it's dark by 6.30 and there's a chill in the air. All my work is now packed ready for the  Oxford Ceramics Fair which takes place at St. Edwards school in Oxford this weekend 25th-26th October. Looking forward to catching up with folks. Below are a couple of new pieces which I'm working on for my next firing which is the Wysing Arts Centre anagama towards the end of November.

I'll be taking the last load of wood down there next week and spending the day chain sawing wood and stacking it ready for the firing.
         Here in Loughborough exciting developments! I have begun dismantling the large anagama to build a smaller anagama kiln which will provide even more opportunities to carry out extreme firings. I'm revisiting clay surfaces and developing slips which (I'm hoping), will create some really dynamic surfaces in the new kiln. I'm hoping to have it ready to fire by February which is when I would have been firing the larger kiln. One of the other advantages of the new kiln will be more frequent firings. If you're around Oxford over the weekend why no come in and say hello :-)